This research is to look at film scores in sankofa and Teza feature films. The goal of thernstudy was to look into the influence of film scoring in shaping societal beliefs and habits.rnUsing judgmental sample approaches, the researcher chose two feature films. Because therntwo feature films are thought to depict an African viewpoint. The researcher used arndescriptive research design in conjunction with a qualitative research method. Africanrnfilmmakers such as Haile Gerima, Ousmane Sembene, and Med Hondo are known for theirrnhistorical documentaries. They regarded this viewpoint as equally valid as any otherrnEurocentric or Hollywood criterion. Because Africans have their own cinematic and musicalrnculture, outsiders or Eurocentric/colonial standards should not judge them. Music is arncultural product, and culture is a critical component of social function. Music not only servesrnto express and perpetuate pre-existing human activities, but it also serves as a resource forrncontesting, negotiating, and creating new ones. This idea prompted the researcher torninvestigate how film scoring affects identity development using black cinema theory. Culturernis the foundation for all identity development. Cinema can be a powerful tool for expressingrnculture, and film score is an important element of it. As a result, film music can bernconsidered an aspect of an expressive medium of art. The purpose of this study was tornexamine how the film scores of two of Professor Haile Gerima's feature films, SANKOFArnand TEZA, film scoring contributed to the story narration on black cinema thought and howrnit affects theoretical and practical identity development. The film composer and producersrnand other concerned stakeholders should give due attention to the film music so as tornconsider hold the attention of the audience and able to teach and conserve culture, practice,rnpromote the conscious of the society.