Cultural Influence Of Foreign Programme In Broadcasting (a Case Study Of ‘channel O’ Programme On Enugu Residents)

CULTURAL INFLUENCE OF FOREIGN PROGRAMME IN BROADCASTING (A CASE STUDY OF ‘CHANNEL O’ PROGRAMME ON ENUGU RESIDENTS)

ABSTRACT

This survey seeks to examine the influx of foreign television channels like ‘Channel O’ on the culture of third world countries like Nigeria. It assumes that foreign programmes in broadcasting have debase the culture of Nigeria.

The researcher uses the survey method with techniques, like questionnaire administration and interviews. In the bid to achieve her aim, the researcher uses Enugu, as her case study and studied the two local government areas that make up Enugu city that is.

This study calls for the re-awakening of broadcast regulatory bodies like the National Broadcasting Commission (NBC) censorship board, broadcasting stations, parents among others to their responsibilities to the society.

The recommendation and suggestion at the end of the study will go a long way in correcting this anomaly.

TABLE OF CONTENTS

COVER PAGE                                                              I

TITLE PAGE                                                               II

APPROVAL PAGE                                                         III

DEDICATION                                                              IV

ACKNOWLEDGEMENT                                                  V

ABSTRACT                                                                 VI

TABLE OF CONTENTS                                                  VIII

CHAPTER ONE

INTRODUCTION                                                         1

1.1        BACKGROUND OF THE STUDY                              1

1.2        STATEMENT OF THE PROBLEM                            2

1.3        OBJECTIVES OF THE STUDY                                        3

1.4        SIGNIFICANCE OF THE STUDY                             6

1.5        RESEARCH QUESTIONS                                       7

1.6        OPERATIONAL DEFINITION OF TERMS                  9

1.7        PURPOSE OF THE STUDY                                     10

1.8        SCOPE OF THE STUDY                                        11

1.9        LIMITATION OF THE STUDY                                11

REFERENCES                                                     13

CHAPTER TWO       

LITERATURE REVIEW                                                  14

2.0    INTRODUCTION                                                 14

2.0.1THE NIGERIAN BROADCASTING MEDIA                19

2.0.2THE NIGERIAN CULTURAL HERITAGE                   21

2.1    THEORETICAL FRAMEWORK                                22

2.2    PROGRAMME CONTENT OF NIGERIA

BROADCASTING MEDIA                                       23

2.3    OVER DEPENDENCE ON FOREIGN

PROGRAMME AND ITS CONSEQUENCE.                 27

2.4.   ‘CHANNEL O’ PROGRAMMES YOUTH AND MORAL   30

2.5    FOREIGN PROGRAMME AND CULTURAL INFLUENCE       32

2.6    SUMMARY OF LITERATURE REVIEW                     34

        REFERENCES                                                     36

CHAPTER THREE

3.1        RESEARCH METHODOLOGY                                 38

3.2        POPULATION, SAMPLING AND SAMPLING

TECHNIQUE                                                       38

3.3        INSTRUMENT FOR DATA COLLECTION                  39

3.4        VALIDATION FOR THE INSTRUCTION                    40

3.5        METHOD OF DATA COLLECTION                           40

3.6        METHOD OF DATA ANALYSIS                               41

REFERENCES                                                     42

CHAPTER FOUR

INTRODUCTION                                                 43

4.1        PRESENTATION OF DATA                                    43

4.2        ANALYSIS OF FINDINGS                                      53

REFERENCES                                                     64

CHAPTER FIVE

SUMMARY, CONCLUSION AND RECOMMENDATION        65

5.1        SUMMARY                                                          65

5.2        CONCLUSION                                                     67

5.3        RECOMMENDATION                                            69

5.4        SUGGESTION FOR FURTHER STUDIES                  71

REFERENCES                                                     72

BIBLIOGRAPHY                                                   73

APPENDIX                                                          76

CHAPTER ONE

INTRODUCTION

1.1      BACKGROUND OF THE STUDY

Digital Satellite Television (DSTV) came from satellite communication network called (Pertec) which act as mirror in the transmission process, beaming the service providers signal back to the satellite dish.

DSTV have 32 channel here in Enugu State these include CNN, BBC world, sky news, movie magic, movie magic 2, Mnet, Africa Magic, Discovery channel, MTV, cartoon network etc.

The Electronic media Network limited (M-Net) was founded in 1985 (http://www.mnet.co.2a/emc/) as South African’s first private subscription television service. The first broadcast comprising one, 12 hour channel went out in October 1986. Today mnet boasts an array of general entertainment and rich channels and broadcasts to over 23 million subscribers in 41 countries across Africa (http:/www.mnet.co.2a/emc/) which Nigeria is one.

‘Channel O’ is located at Randbury in South Africa (Channel [email protected]).

‘Channel O’ which is m-net 24 hours music lifestyle channel made its debut in Africa on Friday 17^th October 1997 at 6 pm with its first show up close featuring Joe Nina.

‘Channel O’ is committed to bringing its viewers the best they’re ever seen, featuring the best in African music, to smooth jazz, inspirational sounds, hardcore rap, wicked reggae, sweet soul etc.

‘Channel O’ broadcasts news on music star as well as the music industry 24 hours daily.

1.2      STATEMENT OF THE PROBLEM

The over exposure of third countries to foreign programmes has given risen to the following problem:-

1.           The problem of cultural content affecting their behavioural life pattern.

2.           The problem of programmes which are not in congruence with their culture attracting their attention.

3.           Problem of preference of foreign programmes to their own locally produced ones.

4.           The problem of acculturisation.

1.3      OBJECTIVES OF THE STUDY

One of the most topical issues experienced by third world countries in international communication is the level of influence foreign programmes have on their culture, foreign programmes are programmes broadcast in countries other than where they are produced. These programmes comes in form of news, documentary, drama, music and others.

In 1992, the Nigerian Broadcasting commission under the Federal Military Government promulgated decree No. 38 which has the following cultural objectives.

a.           Seek, identify, preserve and promote Nigeria’s diverse culters.

b.           Select critically, the positive aspects of foreign cultures for the purpose of enriching the Nigerian culture.

c.           Develop and promote the application of indigenous aesthetic values.

d.           Promote the development of a high level of intellectual and artistic creativity and

e.           Foster generally acceptable moral, ennobling and spiritual values.

Recently, the Nigerian Broadcasting sector has become a dumping ground for foreign programmes. As Nwuneli 1986 notes.

“Some if not most of our popular radio stations today broadcast western type music for 15 out of their 18. hour day broadcast schedule. The remaining three hours are devoted to news. Nigerian to news, Nigerian and African type music. It is just as if Nigeria and Africa as a whole has nothing to offer in the way of music entertainment.

As a result of this intrusion of foreign programmes into the Nigerian Broadcasting stations, these cultural objectives are not met or accomplished, since no society can successfully diffuse all or most of its cultural patterns without some degree of domination. This is because these programmes are alien, designed and created according to the psychographics and demographics of audience in the countries where they are produced.

In view of this, citizen in the third world countries imitate these western values regardless of their cultural implications. Thus in Nigeria’s higher institution today, especially those in Enugu, it seems difficult to differentiate men from women. This is because of their mode of dressing, men are seen with plaited hair, earning and other feminine. Fashion modes which are abnormal in the African society. Recently, this anomaly has been attributed to the exposure of Nigerian citizens to foreign music channels such as ‘Channel O’.

Cultural influence of foreign programmes in broadcasting seeks to look at this anomaly among others and prefer possible solution to them.

1.4      SIGNIFICANCE OF THE STUDY

This research projects is relevant particularly when viewed against the backdrop of cultural implication of over assimilation of foreign programme through broadcasting.

The study calls for a re-awakening of our regulatory bodies such as the National Broadcasting commission (NBC) to re-asses and control the content of broadcast programmes on channels received by cable television firm in the country.

It will help broadcast stations perform the watch dog (surveillance) function of the mass media. Thus, it will accentuate the need for them to select and disseminate information that is in congruence with Nigeria culture.

It calls for the re-awakening and relevance of our local programmes in broadcasting.

Finally, it will go a long way to remind citizens of the third world like Nigeria especially Enugu the rich cultural heritage of their country.

1.5      RESEARCH QUESTIONS

This project makes concrete effort to proffer solutions to the following questions:-

1.           What is the level at which viewers watch ‘Channel O’ daily, weekly or monthly?

2.           What programmes or events appeal to users of ‘Channel O’?

3.           Do the population under study prefer ‘Channel O’ programmes to their own locally produced ones?

4.           Has exposure to ‘Channel O’ programmes any harmful effect on Nigerian culture?

1.6      RESEARCH HYPOTHESIS

Null Hypotheses:-

Ha₁   Viewers prefer ‘Channel O’ programmes to locally produced ones like AIT, MBI etc.

Ho₁   Viewers do not prefer ‘Channel O’ programmes to locally produced ones like AIT.

Ha₂   ‘Channel O’ programmes have harmful effect on Nigerian culture.

Ho₂   ‘Channel O’ programmes do not have harmful effect on Nigerian culture.

Ha₃   Viewers like to imitate the things done on ‘Channel O’.

Ho₃   Viewers do not like to imitate the things done on ‘Channel O’.

Ha₄   People like watching Gospel music on ‘Channel O’.

H0₄   People do not like watching Gospel music on ‘Channel O’.

Ha₆   People spend time/hours watching ‘Channel O’.

Ho₆   People do not spend time/hours watching ‘Channel O’.

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